Back to Homepage

Back to The Catcher in the Rye

Back to English I Stories

 

 

The Catcher in the Rye

By H.G. Wells

Day 4 Audio

 

Chapter 9

 

THE FIRST THING I did when I got off at Penn Station, I went into this phone booth. I felt like giving somebody a buzz. I left my bags right outside the booth so that I could watch them, but as soon as I was inside, I couldn't think of anybody to call up. My brother D.B. was in Hollywood. My kid sister Phoebe goes to bed around nine o'clock―so I couldn't call her up. She wouldn't've cared if I'd woke her up, but the trouble was, she wouldn't've been the one that answered the phone. My parents would be the ones. So that was out. Then I thought of giving Jane Gallagher's mother a buzz, and find out when Jane's vacation started, but I didn't feel like it. Besides, it was pretty late to call up. Then I thought of calling this girl I used to go around with quite frequently, Sally Hayes, because I knew her Christmas vacation had started already―she'd written me this long, phony letter, inviting me over to help her trim the Christmas tree Christmas Eve and all―but I was afraid her mother'd answer the phone. Her mother knew my mother, and I could picture her breaking a goldarn leg to get to the phone and tell my mother I was in New York. Besides, I wasn't crazy about talking to old Mrs. Hayes on the phone. She once told Sally I was wild. She said I was wild and that I had no direction in life. Then I thought of calling up this guy that went to the Whooton School when I was there, Carl Luce, but I didn't like him much. So I ended up not calling anybody. I came out of the booth, after about twenty minutes or so, and got my bags and walked over to that tunnel where the cabs are and got a cab.

 

I'm so dang absent-minded, I gave the driver my regular address, just out of habit and all―I mean I completely forgot I was going to shack up in a hotel for a couple of days and not go home till vacation started. I didn't think of it till we were halfway through the park. Then I said, "Hey, do you mind turning around when you get a chance? I gave you the wrong address. I want to go back downtown."

 

The driver was sort of a wise guy. "I can't turn around here, Mac. This here's a one-way. I'll have to go all the way to Ninedieth Street now."

 

I didn't want to start an argument. "Okay," I said. Then I thought of something, all of a sudden. "Hey, listen," I said. "You know those ducks in that lagoon right near Central Park South? That little lake? By any chance, do you happen to know where they go, the ducks, when it gets all frozen over? Do you happen to know, by any chance?" I realized it was only one chance in a million.

 

He turned around and looked at me like I was a madman. "What're ya tryna do, bud?" he said. "Kid me?"

 

"No―I was just interested, that's all."

 

He didn't say anything more, so I didn't either. Until we came out of the park at Ninetieth Street. Then he said, "All right, buddy. Where to?"

 

"Well, the thing is, I don't want to stay at any hotels on the East Side where I might run into some acquaintances of mine. I'm traveling incognito," I said. I hate saying corny things like "traveling incognito." But when I'm with somebody that's corny, I always act corny too. "Do you happen to know whose band's at the Taft or the New Yorker, by any chance?"

 

"No idear, Mac."

 

"Well―take me to the Edmont then," I said. "Would you care to stop on the way and join me for a cocktail? On me. I'm loaded."

 

"Can't do it, Mac. Sorry." He certainly was good company. Terrific personality.

 

We got to the Edmont Hotel, and I checked in. I'd put on my red hunting cap when I was in the cab, just for the heck of it, but I took it off before I checked in. I didn't want to look like a screwball or something. Which is really ironic. I didn't know then that the goldarn hotel was full of perverts and morons. Screwballs all over the place.

 

They gave me this very crumby room, with nothing to look out of the window at except the other side of the hotel. I didn't care much. I was too depressed to care whether I had a good view or not. The bellboy that showed me to the room was this very old guy around sixty-five. He was even more depressing than the room was. He was one of those bald guys that comb all their hair over from the side to cover up the baldness. I'd rather be bald than do that. Anyway, what a gorgeous job for a guy around sixty-five years old. Carrying people's suitcases and waiting around for a tip. I suppose he wasn't too intelligent or anything, but it was terrible anyway.

 

After he left, I looked out the window for a while, with my coat on and all. I didn't have anything else to do. You'd be surprised what was going on on the other side of the hotel. They didn't even bother to pull their shades down. I saw one guy, a gray-haired, very distinguished-looking guy with only his shorts on, do something you wouldn't believe me if I told you. First he put his suitcase on the bed. Then he took out all these women's clothes, and put them on. Real women's clothes―silk stockings, high-heeled shoes, brassiere, and one of those corsets with the straps hanging down and all. Then he put on this very tight black evening dress. I swear to God. Then he started walking up and down the room, taking these very small steps, the way a woman does, and smoking a cigarette and looking at himself in the mirror. He was all alone, too. Unless somebody was in the bathroom―I couldn't see that much. Then, in the window almost right over his, I saw a man and a woman squirting water out of their mouths at each other. It probably was highballs, not water, but I couldn't see what they had in their glasses. Anyway, first he'd take a swallow and squirt it all over her, then she did it to him―they took turns, for God's sake. You should've seen them. They were in hysterics the whole time, like it was the funniest thing that ever happened. I'm not kidding, the hotel was lousy with perverts. I was probably the only normal idiot in the whole place―and that isn't saying much. I dang near sent a telegram to old Stradlater telling him to take the first train to New York. He'd have been the king of the hotel.

 

The trouble was, that kind of junk is sort of fascinating to watch, even if you don't want it to be. For instance, that girl that was getting water squirted all over her face, she was pretty good-looking. I mean that's my big trouble. In my mind, I'm probably the biggest lady maniac you ever saw. Sometimes I can think of very crumby stuff I wouldn't mind doing if the opportunity came up. I can even see how it might be quite a lot of fun, in a crumby way, and if you were both sort of drunk and all, to get a girl and squirt water or something all over each other's face. The thing is, though, I don't like the idea. It stinks, if you analyze it. I think if you don't really like a girl, you shouldn't horse around with her at all, and if you do like her, then you're supposed to like her face, and if you like her face, you ought to be careful about doing crumby stuff to it, like squirting water all over it. It's really too bad that so much crumby stuff is a lot of fun sometimes. Girls aren't too much help, either, when you start trying not to get too crumby, when you start trying not to spoil anything really good. I knew this one girl, a couple of years ago, that was even crumbier than I was. Boy, was she crumby! We had a lot of fun, though, for a while, in a crumby way. Gals are something I really don't understand too hot. You never know where the heck you are. I keep making up these being-with-women rules for myself, and then I break them right away. Last year I made a rule that I was going to quit horsing around with girls that, deep down, gave me a pain in the butt. I broke it, though, the same week I made it―the same night, as a matter of fact. I spent the whole night necking with a terrible phony named Anne Louise Sherman. Gals are is something I just don't understand. I swear to God I don't.

 

I started toying with the idea, while I kept standing there, of giving old Jane a buzz―I mean calling her long distance at B.M., where she went, instead of calling up her mother to find out when she was coming home. You weren't supposed to call students up late at night, but I had it all figured out. I was going to tell whoever answered the phone that I was her uncle. I was going to say her aunt had just got killed in a car accident and I had to speak to her immediately. It would've worked, too. The only reason I didn't do it was because I wasn't in the mood. If you're not in the mood, you can't do that stuff right.

 

After a while I sat down in a chair and smoked a couple of cigarettes. I was feeling pretty horny. I have to admit it. Then, all of a sudden, I got this idea. I took out my wallet and started looking for this address a guy I met at a party last summer, that went to Princeton, gave me. Finally I found it. It was all a funny color from my wallet, but you could still read it. It was the address of this girl that wasn't exactly a whore or anything but that didn't mind doing it once in a while, this Princeton guy told me. He brought her to a dance at Princeton once, and they nearly kicked him out for bringing her. She used to be a burlesque stripper or something. Anyway, I went over to the phone and gave her a buzz. Her name was Faith Cavendish, and she lived at the Stanford Arms Hotel on Sixty-fifth and Broadway. A dump, no doubt.

 

For a while, I didn't think she was home or something. Nobody kept answering. Then, finally, somebody picked up the phone.

 

"Hello?" I said. I made my voice quite deep so that she wouldn't suspect my age or anything. I have a pretty deep voice anyway.

 

"Hello," this woman's voice said. None too friendly, either.

 

"Is this Miss Faith Cavendish?"

 

"Who's this?" she said. "Who's calling me up at this crazy goldarn hour?"

 

That sort of scared me a little bit. "Well, I know it's quite late," I said, in this very mature voice and all. "I hope you'll forgive me, but I was very anxious to get in touch with you." I said it suave as heck. I really did.

 

"Who is this?" she said.

 

"Well, you don't know me, but I'm a friend of Eddie Birdsell's. He suggested that if I were in town sometime, we ought to get together for a cocktail or two."

 

"Who? You're a friend of who?" Boy, she was a real tigress over the phone. She was dang near yelling at me.

 

"Edmund Birdsell. Eddie Birdsell," I said. I couldn't remember if his name was Edmund or Edward. I only met him once, at a goldarn stupid party.

 

"I don't know anybody by that name, Jack. And if you think I enjoy bein' woke up in the middle―"

 

"Eddie Birdsell? From Princeton?" I said.

 

You could tell she was running the name over in her mind and all.

 

"Birdsell, Birdsell . . . from Princeton . . . Princeton College?"

 

"That's right," I said.

 

"You from Princeton College?"

 

"Well, approximately."

 

"Oh . . . How is Eddie?" she said. "This is certainly a peculiar time to call a person up, though. Jesus Christ."

 

"He's fine. He asked to be remembered to you."

 

"Well, thank you. Remember me to him," she said. "He's a grand person. What's he doing now?" She was getting friendly as heck, all of a sudden.

 

"Oh, you know. Same old stuff," I said. How the heck did I know what he was doing? I hardly knew the guy. I didn't even know if he was still at Princeton. "Look," I said. "Would you be interested in meeting me for a cocktail somewhere?"

 

"By any chance do you have any idea what time it is?" she said. "What's your name, anyhow, may I ask?" She was getting an English accent, all of a sudden. "You sound a little on the young side."

 

I laughed. "Thank you for the compliment," I said―suave as heck. "Holden Caulfield's my name." I should've given her a phony name, but I didn't think of it.

 

"Well, look, Mr. Cawffle. I'm not in the habit of making engagements in the middle of the night. I'm a working gal."

 

"Tomorrow's Sunday," I told her.

 

"Well, anyway. I gotta get my beauty sleep. You know how it is."

 

"I thought we might have just one cocktail together. It isn't too late."

 

"Well. You're very sweet," she said. "Where ya callin' from? Where ya at now, anyways?"

 

"Me? I'm in a phone booth."

 

"Oh," she said. Then there was this very long pause. "Well, I'd like awfully to get together with you sometime, Mr. Cawffle. You sound very attractive. You sound like a very attractive person. But it is late."

 

"I could come up to your place."

 

"Well, ordinary, I'd say grand. I mean I'd love to have you drop up for a cocktail, but my roommate happens to be ill. She's been laying here all night without a wink of sleep. She just this minute closed her eyes and all. I mean."

 

"Oh. That's too bad."

 

"Where ya stopping at? Perhaps we could get together for cocktails tomorrow."

 

"I can't make it tomorrow," I said. "Tonight's the only time I can make it." What a dope I was. I shouldn't've said that.

 

"Oh. Well, I'm awfully sorry."

 

"I'll say hello to Eddie for you."

 

"Willya do that? I hope you enjoy your stay in New York. It's a grand place."

 

"I know it is. Thanks. Good night," I said. Then I hung up.

 

Boy, I really fouled that up. I should've at least made it for cocktails or something.

 

Chapter 10

 

IT WAS still pretty early. I'm not sure what time it was, but it wasn't too late. The one thing I hate to do is go to bed when I'm not even tired. So I opened my suitcases and took out a clean shirt, and then I went in the bathroom and washed and changed my shirt. What I thought I'd do, I thought I'd go downstairs and see what the heck was going on in the Lavender Room. They had this night club, the Lavender Room, in the hotel.

 

While I was changing my shirt, I dang near gave my kid sister Phoebe a buzz, though. I certainly felt like talking to her on the phone. Somebody with sense and all. But I couldn't take a chance on giving her a buzz, because she was only a little kid and she wouldn't have been up, let alone anywhere near the phone. I thought of maybe hanging up if my parents answered, but that wouldn't've worked, either. They'd know it was me. My mother always knows it's me. She's psychic. But I certainly wouldn't have minded shooting the crap with old Phoebe for a while.

 

You should see her. You never saw a little kid so pretty and smart in your whole life. She's really smart. I mean she's had all A's ever since she started school. As a matter of fact, I'm the only dumb one in the family. My brother D.B.'s a writer and all, and my brother Allie, the one that died, that I told you about, was a wizard. I'm the only really dumb one. But you ought to see old Phoebe. She has this sort of red hair, a little bit like Allie's was, that's very short in the summertime. In the summertime, she sticks it behind her ears. She has nice, pretty little ears. In the wintertime, it's pretty long, though. Sometimes my mother braids it and sometimes she doesn't. It's really nice, though. She's only ten. She's quite skinny, like me, but nice skinny. Roller-skate skinny. I watched her once from the window when she was crossing over Fifth Avenue to go to the park, and that's what she is, roller-skate skinny. You'd like her. I mean if you tell old Phoebe something, she knows exactly what the heck you're talking about. I mean you can even take her anywhere with you. If you take her to a lousy movie, for instance, she knows it's a lousy movie. If you take her to a pretty good movie, she knows it's a pretty good movie. D.B. and I took her to see this French movie, The Baker's Wife, with Raimu in it. It killed her. Her favorite is The 39 Steps, though, with Robert Donat. She knows the whole goldarn movie by heart, because I've taken her to see it about ten times. When old Donat comes up to this Scotch farmhouse, for instance, when he's running away from the cops and all, Phoebe'll say right out loud in the movie―right when the Scotch guy in the picture says it―"Can you eat the herring?" She knows all the talk by heart. And when this professor in the picture, that's really a German spy, sticks up his little finger with part of the middle joint missing, to show Robert Donat, old Phoebe beats him to it―she holds up her little finger at me in the dark, right in front of my face. She's all right. You'd like her. The only trouble is, she's a little too affectionate sometimes. She's very emotional, for a child. She really is. Something else she does, she writes books all the time. Only, she doesn't finish them. They're all about some kid named Hazel Weatherfield―only old Phoebe spells it "Hazle." Old Hazle Weatherfield is a girl detective. She's supposed to be an orphan, but her old man keeps showing up. Her old man's always a "tall attractive gentleman about 20 years of age." That kills me. Old Phoebe. I swear to God you'd like her. She was smart even when she was a very tiny little kid. When she was a very tiny little kid, I and Allie used to take her to the park with us, especially on Sundays. Allie had this sailboat he used to like to fool around with on Sundays, and we used to take old Phoebe with us. She'd wear white gloves and walk right between us, like a lady and all. And when Allie and I were having some conversation about things in general, old Phoebe'd be listening. Sometimes you'd forget she was around, because she was such a little kid, but she'd let you know. She'd interrupt you all the time. She'd give Allie or I a push or something, and say, " Who? Who said that? Bobby or the lady?" And we'd tell her who said it, and she'd say, "Oh," and go right on listening and all. She killed Allie, too. I mean he liked her, too. She's ten now, and not such a tiny little kid any more, but she still kills everybody―everybody with any sense, anyway.

 

Anyway, she was somebody you always felt like talking to on the phone. But I was too afraid my parents would answer, and then they'd find out I was in New York and kicked out of Pencey and all. So I just finished putting on my shirt. Then I got all ready and went down in the elevator to the lobby to see what was going on.

 

Except for a few pimpy-looking guys, and a few whory-looking blondes, the lobby was pretty empty. But you could hear the band playing in the Lavender Room, and so I went in there. It wasn't very crowded, but they gave me a lousy table anyway―way in the back. I should've waved a buck under the head-waiter's nose. In New York, boy, money really talks―I'm not kidding.

 

The band was putrid. Buddy Singer. Very brassy, but not good brassy―corny brassy. Also, there were very few people around my age in the place. In fact, nobody was around my age. They were mostly old, show-offy-looking guys with their dates. Except at the table right next to me. At the table right next to me, there were these three girls around thirty or so. The whole three of them were pretty ugly, and they all had on the kind of hats that you knew they didn't really live in New York, but one of them, the blonde one, wasn't too bad. She was sort of cute, the blonde one, and I started giving her the old eye a little bit, but just then the waiter came up for my order. I ordered a Scotch and soda, and told him not to mix it―I said it fast as heck, because if you hem and haw, they think you're under twenty-one and won't sell you any intoxicating liquor. I had trouble with him anyway, though. "I'm sorry, sir," he said, "but do you have some verification of your age? Your driver's license, perhaps?"

 

I gave him this very cold stare, like he'd insulted the heck out of me, and asked him, "Do I look like I'm under twenty-one?"

 

"I'm sorry, sir, but we have our―"

 

"Okay, okay," I said. I figured the heck with it. "Bring me a Coke." He started to go away, but I called him back. "Can'tcha stick a little rum in it or something?" I asked him. I asked him very nicely and all. "I can't sit in a corny place like this cold sober. Can'tcha stick a little rum in it or something?"

 

"I'm very sorry, sir . . . " he said, and beat it on me. I didn't hold it against him, though. They lose their jobs if they get caught selling to a minor. I'm a goldarn minor.

 

I started giving the three witches at the next table the eye again. That is, the blonde one. The other two were strictly from hunger. I didn't do it crudely, though. I just gave all three of them this very cool glance and all. What they did, though, the three of them, when I did it, they started giggling like morons. They probably thought I was too young to give anybody the once-over. That annoyed heck out of me―you'd've thought I wanted to marry them or something. I should've given them the freeze, after they did that, but the trouble was, I really felt like dancing. I'm very fond of dancing, sometimes, and that was one of the times. So all of a sudden, I sort of leaned over and said, "Would any of you girls care to dance?" I didn't ask them crudely or anything. Very suave, in fact. But God dang it, they thought that was a panic, too. They started giggling some more. I'm not kidding, they were three real morons. "C'mon," I said. "I'll dance with you one at a time. All right? How 'bout it? C'mon!" I really felt like dancing.

 

Finally, the blonde one got up to dance with me, because you could tell I was really talking to her, and we walked out to the dance floor. The other two grools nearly had hysterics when we did. I certainly must've been very hard up to even bother with any of them.

 

But it was worth it. The blonde was some dancer. She was one of the best dancers I ever danced with. I'm not kidding, some of these very stupid girls can really knock you out on a dance floor. You take a really smart girl, and half the time she's trying to lead you around the dance floor, or else she's such a lousy dancer, the best thing to do is stay at the table and just get drunk with her.

 

"You really can dance," I told the blonde one. "You oughta be a pro. I mean it. I danced with a pro once, and you're twice as good as she was. Did you ever hear of Marco and Miranda?"

 

"What?" she said. She wasn't even listening to me. She was looking all around the place.

 

"I said did you ever hear of Marco and Miranda?"

 

"I don't know. No. I don't know."

 

"Well, they're dancers, she's a dancer. She's not too hot, though. She does everything she's supposed to, but she's not so hot anyway. You know when a girl's really a terrific dancer?"

 

"Wudga say?" she said. She wasn't listening to me, even. Her mind was wandering all over the place.

 

"I said do you know when a girl's really a terrific dancer?"

 

"Uh-uh."

 

"Well―where I have my hand on your back. If I think there isn't anything underneath my hand―no can, no legs, no feet, no anything―then the girl's really a terrific dancer."

 

She wasn't listening, though. So I ignored her for a while. We just danced. God, could that dopey girl dance. Buddy Singer and his stinking band was playing "Just One of Those Things" and even they couldn't ruin it entirely. It's a swell song. I didn't try any trick stuff while we danced―I hate a guy that does a lot of show-off tricky stuff on the dance floor―but I was moving her around plenty, and she stayed with me. The funny thing is, I thought she was enjoying it, too, till all of a sudden she came out with this very dumb remark. "I and my girl friends saw Peter Lorre last night," she said. "The movie actor. In person. He was buyin' a newspaper. He's cute."

 

"You're lucky," I told her. "You're really lucky. You know that?" She was really a moron. But what a dancer. I could hardly stop myself from sort of giving her a kiss on the top of her dopey head―you know―right where the part is, and all. She got sore when I did it.

 

"Hey! What's the idea?"

 

"Nothing. No idea. You really can dance," I said. "I have a kid sister that's only in the goldarn fourth grade. You're about as good as she is, and she can dance better than anybody living or dead."

 

"Watch your language, if you don't mind."

 

What a lady, boy. A queen, for Chrissake.

 

"Where you girls from?" I asked her.

 

She didn't answer me, though. She was busy looking around for old Peter Lorre to show up, I guess.

 

"Where you girls from?" I asked her again.

 

"What?" she said.

 

"Where you girls from? Don't answer if you don't feel like it. I don't want you to strain yourself."

 

"Seattle, Washington," she said. She was doing me a big favor to tell me.

 

"You're a very good conversationalist," I told her. "You know that?"

 

"What?"

 

I let it drop. It was over her head, anyway. "Do you feel like jitterbugging a little bit, if they play a fast one? Not corny jitterbug, not jump or anything―just nice and easy. Everybody'll all sit down when they play a fast one, except the old guys and the fat guys, and we'll have plenty of room. Okay?"

 

"It's immaterial to me," she said. "Hey―how old are you, anyhow?"

 

That annoyed me, for some reason. "Oh, Christ. Don't spoil it," I said. "I'm twelve, for Chrissake. I'm big for my age."

 

"Listen. I toleja about that. I don't like that type language," she said. "If you're gonna use that type language, I can go sit down with my girl friends, you know."

 

I apologized like a madman, because the band was starting a fast one. She started jitterbugging with me―but just very nice and easy, not corny. She was really good. All you had to do was touch her. And when she turned around, her pretty little butt twitched so nice and all. She knocked me out. I mean it. I was half in love with her by the time we sat down. That's the thing about girls. Every time they do something pretty, even if they're not much to look at, or even if they're sort of stupid, you fall half in love with them, and then you never know where the heck you are. Girls. Jesus Christ. They can drive you crazy. They really can.

 

They didn't invite me to sit down at their table―mostly because they were too ignorant―but I sat down anyway. The blonde I'd been dancing with's name was Bernice something―Crabs or Krebs. The two ugly ones' names were Marty and Laverne. I told them my name was Jim Steele, just for the heck of it. Then I tried to get them in a little intelligent conversation, but it was practically impossible. You had to twist their arms. You could hardly tell which was the stupidest of the three of them. And the whole three of them kept looking all around the goldarn room, like as if they expected a flock of goldarn movie stars to come in any minute. They probably thought movie stars always hung out in the Lavender Room when they came to New York, instead of the Stork Club or El Morocco and all. Anyway, it took me about a half hour to find out where they all worked and all in Seattle. They all worked in the same insurance office. I asked them if they liked it, but do you think you could get an intelligent answer out of those three dopes? I thought the two ugly ones, Marty and Laverne, were sisters, but they got very insulted when I asked them. You could tell neither one of them wanted to look like the other one, and you couldn't blame them, but it was very amusing anyway.

 

I danced with them all―the whole three of them―one at a time. The one ugly one, Laverne, wasn't too bad a dancer, but the other one, old Marty, was murder. Old Marty was like dragging the Statue of Liberty around the floor. The only way I could even half enjoy myself dragging her around was if I amused myself a little. So I told her I just saw Gary Cooper, the movie star, on the other side of the floor.

 

"Where?" she asked me―excited as heck. " Where?"

 

"Aw, you just missed him. He just went out. Why didn't you look when I told you?"

 

She practically stopped dancing, and started looking over everybody's heads to see if she could see him. "Oh, shoot!" she said. I'd just about broken her heart―I really had. I was sorry as heck I'd kidded her. Some people you shouldn't kid, even if they deserve it.

 

Here's what was very funny, though. When we got back to the table, old Marty told the other two that Gary Cooper had just gone out. Boy, old Laverne and Bernice nearly committed suicide when they heard that. They got all excited and asked Marty if she'd seen him and all. Old Mart said she'd only caught a glimpse of him. That killed me.

 

The bar was closing up for the night, so I bought them all two drinks apiece quick before it closed, and I ordered two more Cokes for myself. The goldarn table was lousy with glasses. The one ugly one, Laverne, kept kidding me because I was only drinking Cokes. She had a sterling sense of humor. She and old Marty were drinking Tom Collinses―in the middle of December, for God's sake. They didn't know any better. The blonde one, old Bernice, was drinking bourbon and water. She was really putting it away, too. The whole three of them kept looking for movie stars the whole time. They hardly talked―even to each other. Old Marty talked more than the other two. She kept saying these very corny, boring things, like calling the can the "little girls' room," and she thought Buddy Singer's poor old beat-up clarinet player was really terrific when he stood up and took a couple of ice-cold hot licks. She called his clarinet a "licorice stick." Was she corny. The other ugly one, Laverne, thought she was a very witty type. She kept asking me to call up my father and ask him what he was doing tonight. She kept asking me if my father had a date or not. Four times she asked me that―she was certainly witty. Old Bernice, the blonde one, didn't say hardly anything at all. Every time I'd ask her something, she said "What?" That can get on your nerves after a while.

 

All of a sudden, when they finished their drink, all three of them stood up on me and said they had to get to bed. They said they were going to get up early to see the first show at Radio City Music Hall. I tried to get them to stick around for a while, but they wouldn't. So we said good-by and all. I told them I'd look them up in Seattle sometime, if I ever got there, but I doubt if I ever will. Look them up, I mean.

 

With cigarettes and all, the check came to about thirteen bucks. I think they should've at least offered to pay for the drinks they had before I joined them―I wouldn't've let them, naturally, but they should've at least offered. I didn't care much, though. They were so ignorant, and they had those sad, fancy hats on and all. And that business about getting up early to see the first show at Radio City Music Hall depressed me. If somebody, some girl in an awful-looking hat, for instance, comes all the way to New York―from Seattle, Washington, for God's sake―and ends up getting up early in the morning to see the goldarn first show at Radio City Music Hall, it makes me so depressed I can't stand it. I'd've bought the whole three of them a hundred drinks if only they hadn't told me that.

 

I left the Lavender Room pretty soon after they did. They were closing it up anyway, and the band had quit a long time ago. In the first place, it was one of those places that are very terrible to be in unless you have somebody good to dance with, or unless the waiter lets you buy real drinks instead of just Cokes. There isn't any night club in the world you can sit in for a long time unless you can at least buy some liquor and get drunk. Or unless you're with some girl that really knocks you out.

 

Day Five Text The Catcher in the Rye
English I Stories Evans Homepage