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The Boy in the Striped Pajamas
By John Boyne
Chapter 2 Audio |
Chapter Two
The New
House
When he
first saw
their new
house Bruno's
eyes opened
wide, his
mouth
made the
shape of
an
0
and his
arms stretched
out at
his sides
once again.
Everything about
it seemed
to be
the exact
opposite of
their old
home and
he couldn't
believe that
they were
really going
to live
there.
The house
in Berlin
had stood
on a
quiet street
and alongside
it were
a handful
of other
big houses
like his
own, and
it was
always nice
to look
at them
because they
were almost
the same
as his
house but
not quite,
and other
boys lived
in them
who he played
with (if
they were
friends) or
steered clear
of (if
they were
trouble). The
new house,
however, stood
all on
its own
in an
empty, desolate
place and
there were
no other
houses anywhere
to be
seen, which
meant there
would be
no other
families around
and no
other boys
to play
with, neither friends
nor trouble.
The house
in
Berlin
was
enormous,
and
even
though he'd
lived there
for nine
years he
was still
able to
find nooks
and crannies
that he
hadn't fully
finished exploring
yet. There
were even
whole rooms
-
such as
Father's office,
which was
Out Of
Bounds
At All
Times And
No Exceptions-
that he
had barely
been inside.
However, the
new house
had only
three floors:
a top
floor where
all three
bedrooms
were
and only
one bathroom,
a ground
floor with
a kitchen,
a dining
room and
a new
office for
Father (which,
he presumed,
had the
same restrictions
as the
old one),
and
a
basement
where
the
servants
slept.
All around
the house
in Berlin
were other
streets of
large houses,
and when
you walked
towards the
centre of
town there
were always
people strolling
along and
stopping to
chat to
each other
or rushing
around and
saying they
had no
time to
stop,
not today,
not when
they had
a hundred
and one
things to do. There
were shops
with bright
store fronts,
and fruit
and vegetable
stalls with
big trays
piled high
with cabbages,
carrots, cauliflowers
and corn.
Some were
overspilling with
leeks and
mushrooms, turnips
and sprouts;
others with
lettuce and
green beans,
courgettes and
parsnips. Sometimes
he liked
to stand
in front
of these
stalls and
close his
eyes and
breathe in
their aromas,
feeling his
head grow
dizzy with
the mixed
scents of
sweetness and
life. But
there were
no other
streets around
the new
house, no
one strolling along
or rushing
around, and
definitely no
shops or
fruit and
vegetable stalls.
When he
closed his
eyes, everything
around him•just
felt empty
and cold,
as if
he was
in the
loneliest place
in the
world. The
middle of
nowhere.
In Berlin
there had
been tables
set out
on the
street, and
sometimes when
he walked
home from
school with
Karl, Daniel
and Martin
there would
be men
and women
sitting at
them, drinking
frothy drinks
and laughing
loudly; the
people who
sat at
these tables
must be
very funny
people, he
always thought,
because it
didn't matter
what they
said, somebody
always laughed.
But there
was something
about the
new house
that made
Bruno think
that no
one ever
laughed there;
that there
was nothing
to
laugh at
and nothing
to be
happy about.
'I think
this was
a bad
idea,' said
Bruno a
few hours
after they
arrived, while
Maria was
unpacking his
suitcases upstairs.
(Maria wasn't
the only
maid at
the new
house either:
there were
three others
who were
quite skinny
and only
ever spoke
to each
other in
whispering voices.
There was
an old
man too
who, he
was told,
was there
to prepare
the
vegetables every
day and
wait on
them at
the dinner
table, and
who looked
very unhappy
but also
a little
angry.)
'We don't
have
the
luxury
of
thinking,'
said
Mother, opening
a box
that contained
the set
of
sixty four
glasses that
Grandfather and
Grandmother
had given
her when
she married Father.
'Some people
make all
the decisions
for us.'
Bruno didn't
know what
she meant
by that
so he
pretended that
she'd never
said it
at all.
'I think
this
was a
bad idea,'
he repeated.
'I think
the best
thing to do
would be
to forget
all about
this and
just go
back home.
We can
chalk it
up to
experience,' he
added, a
phrase he
had learned
recently and
was
determined to
use as
often as
possible.
Mother smiled
and put
the glasses
down carefully
on the
table. 'I
have another
phrase for
you,' she
said. 'It's
that we
have to
make the
best of
a bad
situation.'
'Well, I
don't know
that we
do,' said
Bruno. 'I
think you
should just
tell Father
that you've
changed
your mind
and, well,
if we
have to
stay here
for the rest
of the
day and
have dinner
here this
evening and
sleep here
tonight because
we're all
tired, then
that's
all right,
but we
should probably
get up
early in
the morning if
we're to
make it
back to
Berlin by
tea time tomorrow.'
Mother sighed.
'Bruno,
why
don't
you
just
go
upstairs and
help Maria
unpack?' she
asked.
'But there's
no point
unpacking if
we're only
going
to-'
'Bruno, just
do it,
please!' snapped
Mother,
because apparently
it was
all right
if she
interrupted
him but
it didn't
work the
other way
round. 'We're here,
we've arrived,
this is
our home
for the
foreseeable future
and we
just have
to make
the best
of things.
Do you
understand me?'
He didn't
understand what
the 'foreseeable
future'
meant and
told her
so.
'It means
that this
is where
we live
now Bruno
'
said Mother.
'And that's
an end
to it.'
'
'
Bruno had
a pain
in his stomach
and he
could feel
something growing
inside him,
something that
when
it worked
its way
up from
the lowest
depths inside
him to
the outside
world would
either make
him
shout and
scream that
the whole
thing was
wrong
and unfair
and a
big mistake
for which
somebody
would pay
one of
these days,
or just
make him
burst into tears
instead. He
couldn't understand
how this had
all come
about. One
day he
was perfectly
content, playing
at home,
having three
best friends
for life,
sliding down
banisters, trying
to stand
on his
tiptoes to
see right
across Berlin,
and now
he was
stuck here
in this
cold, nasty
house with
three
whispering maids
and a
waiter who
was both
unhappy and
angry, where
no one
looked as
if they
could ever
be cheerful again.
'Bruno, I
want you
to go
upstairs and
unpack and
I want
you to
do it
now,' said
Mother in
an
unfriendly voice,
and he
knew that
she meant business
so he
turned round
and marched away
with
out another
word. He
could feel
tears springing
up
behind his
eyes but
he was
determined that
he wouldn't allow
them to
appear.
He went
upstairs and
turned
slowly
around in
a
full circle,
hoping he
might find
a small
door or
cubby hole
where a
decent amount
of exploration
could eventually
be done,
but there
wasn't one.
On his
floor there
were just
four doors,
two on
either side, facing
each other.
A door
into his
room, a
door into
Gretel's room,
a door
into Mother
and Father's
room, and
a door
into the
bathroom.
'This isn't
home and
it never
will be,'
he muttered
under his
breath as he
went through
his own
door to
find all
his clothes
scattered on
the bed
and the
boxes of
toys
and
books
not
even
unpacked
yet.
It
was obvious
that Maria
did not
have her
priorities right.
'Mother
sent
me
to
help,'
he
said
quietly,
and
Maria
nodded
and
pointed
towards
a
big bag
that
contained all
his socks
and vests
and underpants.
'If
you sort
that lot
out, you
could put
them in
the chest
of drawers
over there,'
she said,
pointing towards
an ugly
chest that
stood across
the room
beside a
mirror that
was covered
in dust.
Bruno sighed
and opened
the bag;
it was
full to the
brim with
his underwear
and he
wanted nothing
more than
to crawl
inside it
and hope
that when
he climbed
out again
he'd have
woken up
and be
back home
again.
'What do
you think
of all
this, Maria?'
he asked
after a
long silence
because he
had always
liked Maria
and felt
as if
she was
one of
the family,
even though
Father said
she was
just a
maid and
overpaid at that.
'All what?'
she asked.
'This,' he
said as
if it
was the
most obvious
thing in
the world.
'Coming to
a place
like this.
Don't you
think we've
made a
big mistake?'
'That's not
for
me
to
say,
Master
Bruno,'
said
Maria. 'Your
mother has
explained to
you about
your father's
job
and-'
'Oh, I'm
tired of
hearing about
Father's job,'
said Bruno,
interrupting her.
'That's all
we ever
hear about,
if you
ask me.
Father's job
this and
Father's job
that. Well,
if Father's
job means
that we
have to
move away
from our
house and
the sliding
banister and my
three best
friends for
life, then
I think
Father should
think twice
about his
job, don't
you?'
Just at
that moment
there was
a creak
outside in
the hallway
and Bruno
looked up
to see
the door
of Mother
and Father's
room opening
slightly. He froze,
unable to
move for
a moment.
Mother was
still down stairs,
which meant
that Father
was in
there and
he might have heard
everything that
Bruno had
just said.
He watched
the door,
hardly daring
to breathe,
won dering
whether Father
might come
through it
and take
him downstairs for
a serious
talking-to.
The door
opened wider
and Bruno
stepped back
as
a figure
appeared, but
it wasn't
Father. It
was a
much
younger man,
and not
as tall
as Father
either,
but
he wore
'the same
type of
uniform, only
without as many
decorations on
it. He
looked very
serious
and
his cap
was secured
tightly on
his head.
Around
his
temples Bruno
could see
that he
had very
blond
hair,
an almost
unnatural shade
of yellow.
He was
carrying
a box
in his
hands and walking
towards the staircase,
but he
stopped for
a moment
when he
saw
Bruno
standing there
watching him.
He looked
the boy up
and down
as if
he had
never seen
a child
before
and wasn't
quite sure
what he
was supposed
to
do with
one: eat
it, ignore
it or
kick it
down the stairs.
Instead he
gave Bruno
a quick
nod and
continued
on his
way.
'Who was
that?' asked
Bruno. The
young man
had
seemed so
serious and
busy that
he assumed
he must
be someone
very important.
'One of
your
father's
soldiers,
I
suppose,'
said
.
Maria, who
had stood
up very
straight when
the
young man
appeared and
held her
hands before
her
like a
person in
prayer. She
had stared
down at
the ground rather
than at
his face,
as if
she was
afraid of
him; she
only relaxed
when he
had gone.
'We'll get
to know
them in
time.'
'I don't
think I
like him,'
said Bruno.
'He was
too
serious.'
'Your father
is very
serious too,'
said Maria.
'Yes, but
he's Father,'
explained
Bruno.
'Fathers
are supposed
to be
serious.
It
doesn't matter
whether they're
greengrocers or
teachers or
chefs or
com mandants,'
he said,
listing all
the jobs
that he
knew decent,
respectable fathers
did and
whose
titles
he
had thought
about a
thousand times.
'And I
don't
think that
man looked
like a
father. Although
he was
very serious,
that's for
sure.'
'Well, they
have very
serious jobs,'
said Maria
with a
sigh. 'Or
so they
think anyway.
But if
I was
you I'd
steer clear
of the
soldiers.'
'I don't
see what
else there
is to
do other
than
that,' said
Bruno sadly.
'I don't
even think
there's
going to
be anyone
to play
with other
than Gretel,
and what
fun is
that after
all? She's
a Hopeless
Case.'
He felt
as if
he was
about to
cry again
but stopped
himself, not
wanting to
look like
a baby
in front
of
Maria. He
looked around
the room
without fully
lift
ing his
eyes up
from the
ground, trying
to see
whether there
was anything
of interest
to be
found.
There wasn't.
Or there
didn't seem
to be.
But then in the
room opposite
the door
there
was
a
window
in
the ceiling
that stretched
down into
the wall,
a little
like the
one on
the top
floor of
the house
in Berlin,
only not
so high.
Bruno looked
at it
and thought
that he might
be able
to see
out without
even having
to
stand on
tiptoes.
He walked slowly towards it, hoping that from here he might be able to
see all the way back to Berlin and his house and the streets around it and the
tables where the people sat and drank their frothy drinks and told each other
hilarious stories. He walked slowly because he didn’t want to be disappointed.
But it was small boy’s room and there was only so far he could walk before he
arrived at the window. He put his face to the glass and saw what was out there,
and this time when his eyes opened wide and his mouth made the shape of an O,
his hands stayed by his sides because something made him feel very cold and
unsafe.
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